Projection Design

love holds a lamp in this little room devised by the company

Direction Leora Morris

  • Scenic Christopher Thompson

  • Lighting Joey Moro

  • Costume Fabian F. Aguilar

  • Sound Kate Marvin

Yale Summer Cab 2015

Much of the play's success has to do with how it looks, presenting a pastiche of inventive costumes (Fabian Aguilar) on an old time playing space (Christopher Thompson) where the flicker of time itself seems present, thanks to a lighting palette from Joey Moro and projections from Rasean Davonte Johnson that effectively recreate the garish glare and expressionist shadows of gaslight footlights, as well as the shadowy dimness common to the era before electric lights. - Donald Brown New Haven Review

Photos by Andrea Berman and Christopher Thompson